I Thought it was just a Drawing Class, but it Turned out to be a Lot More

Bursting Into Fall

We all have days in our life that are significant turning points. Often-times we tend to think only about major life events such as getting married, the birth of a child or the loss of a loved one as the milestones along the way that shape us the most.

These events certainly are important and life changing, but I sometimes think some of the less apparent interactions and activities may play as big of a role as the obvious ones. I can think of more than a few such days in my life and how something as small and innocuous as signing up for a drawing class as an adult has changed my life in ways I never would have imagined.

On March 1, 2012 I hesitantly opened the door to a whole new world, I thought it was just the door to an art studio. Three and a half years ago I was afraid to pick up a pencil and draw a circle on a piece of paper. Today I can say with pride and joy that I’ve sold a few pieces of work and thoroughly enjoy exercising my creativity nearly every day.

Bursting Into Fall

More importantly, I can say that crossing the threshold into the art studio on that cold day in March set into motion a series of experiences that have helped me become a better person. I thought I was just going to learn how to draw, but it turned out to be much much more.

It’s ok to be perfectly imperfect

In fact it’s totally awesome to be perfectly imperfect. Whether it’s human nature or societal expectations, we almost all have a tendency to compare ourselves to others and deem ourselves a “failure” if we feel that we don’t measure up. I’ve learned that it’s both an exhausting and limiting way to live.

My teacher of this lesson has been art, specifically drawing in ink. When you draw in ink, if the pen slips and goes in an unintended direction there are two choices. You can crumple up the drawing and give up, or you can find a way to make it work. More often than not, there’s a way turn the mishap into a part of the drawing; I’ve come to think of this as“knowing how to resolve the lines.” And it’s an approach that can be applied in all areas of my life.

I still find it strange, but I no longer dread making mistakes because I know they often-times turn out even better than the original idea after I take a step back and think about how to make the “oops” work in my favor. Believe it or not, this fun little ink rendition of a cat perched in a tree looking at a full moon is full of “happy accidents.” 🙂

cat in a tree

It doesn’t work every time, and that’s ok too, it’s all about recognizing the difference between an opportunity that might be different from what we planned and also knowing when to cut our losses short and move on. It’s also having faith that even though there are obstacles and set backs, we’re still moving in the right direction and we never know how things are going to turn out in the end.

It’s never too late to bloom

It is never to late to learn something new and potentially discover things about yourself that you didn’t know. I really do believe this.

Sure there are certain things that it may be too late to attempt, it’s unlikely that I’ll become an astronaut – but then again I’ve never had the desire to be one, so that’s perfectly ok.

Lately it’s occurred to me that we tend to think about successful people in a somewhat one dimensional way. We look at where they are today and mistakenly think that they’ve always enjoyed success and abundance. My bet is that in most cases, the people we maybe envy because they “have it so easy,” are people who kept moving forward, kept learning and adapting to overcome and succeed in spite of the set backs and heart breaks along the way.

fun flowers

We are all teachers and students

During the course of my life, I’ve been blessed with good teachers and I don’t mean just in the classroom. If you think about it, nearly every moment of every day and certainly almost every interaction has the potential to be a teaching moment.

The lessons don’t all have to be big and earth shattering, the small lessons are just as important. The key is to be open to learning from others as well as sharing what you have experienced. You never know how you might inspire or touch someone in a positive way and all of us should be striving to constantly learn and grow.

Even Michelangelo has been quoted as saying, “I am still learning.”

new paper_experimenting with ink

Perseverance, Faith and Self-Confidence

Lastly, for today, March 1, 2012 opened the door to being aware of and understanding the importance of perseverance, faith and self-confidence.

It took me roughly three weeks to finish my first drawing for the class, it took everyone else roughly three hours. It was no small feat for me to keep going and not compare myself to others in the class, but at the end of the three weeks, I was amazed and pleased with the outcome. It was a lesson in perseverance in addition to drawing and shading.

For me, art is a bit like meditating and it forces me to be present in the moment rather than worrying about the future or “what ifing” about the past. The act of spending more time in the here and now and less time trying to control the outcome has deepened my faith and belief that what I need will be taken care of.

The more I let go of trying to control the outcomes, the more at peace I become.

Self-confidence – wow, it’s actually amazing when I think about how far I’ve come and how much I’ve grown since that fateful day in March. Now instead of feeling nervous and anxious about taking a beginning level drawing class, I seek out opportunities that are challenging and will stretch my skills, knowing that the classroom will be full of artists much more advanced than me.

The confidence that I’ve gained through improving my skills and learning new things has overflowed into the rest of my life as well and I’ve never felt better about the person I am, inside and out.

dreams and memories_final

Yep, I thought it was just a drawing class, but it changed my life.

Rain Doesn’t Make a Day Awful, it Just Makes it Wet

Saturday was a plan C sort of day. A few weeks ago my friend Dan invited me to join him and his parents to check out the Tall Ships Festival on the riverfront in Philadelphia. A trip into Philly to spend an afternoon with friends is always fun and the festival was a unique opportunity to learn a little about naval history.

L’Hermione, L’Hermione, “A French replica of the 145’ long Concorde class frigate of the French Navy.” Image credit: Tall Ships® Philadelphia Camden

As luck would have it, the forecast for Saturday was 100% chance of rain in the afternoon, not exactly the best kind of weather for an outside activity like touring massive ships with very tall masts and impressive sails.

Dan called to let me know that our group had expanded from 4 to 6 people and because of the rain he was organizing plan B, a visit to the Barnes Foundation Museum and dinner in Center City. Exploring one of the finest collections of Post-Impressionist and early Modern paintings sounded like a perfect way to spend a rainy afternoon.

Between Thursday and Friday afternoon, the size of our group dwindled from 6 to 4 to 2. Dan’s condo is in the middle of a kitchen remodel and since the Barnes Foundation is something that can be visited at any time, it made more sense for his parents to visit another time. It also made sense to move to Plan C, a trip to the Philadelphia Museum of Art.

A new exhibit, Discovering the Impressionists: Paul Durand-Ruel and the New Painting, had just opened at the Museum of Art and we wanted to see the collection before it moved on to another city. We reviewed the train schedule and he ordered our tickets for the exhibit to allow for plenty of time between the trains arrival and the admission time.

I love taking the train into Philly it’s fun to be able to relax and read or people watch instead of being stressed out by heavy traffic, potholes, and parking in the city. The train station is always lively and it’s not uncommon to hear the beat of drums or a beautiful harmony created by two violins played in unison.music performers in the train station

The clapping hands and tapping feet within the audience energized the drumming, dancing, and singing. I couldn’t resist putting a dollar in each of the buckets on the “stage” that hosted these 5 enthusiastic performers.

Dan and I met up on the other side of the station and ventured out into the drizzle to hail a cab. We started our adventure at a local pub and sampled a couple of beers while catching up and waiting for our assigned time for entering the exhibit to arrive. It was a short distance between the pub and the museum and although we used our umbrellas they barely got wet.

The museum supplied an audio recording to add background and insights about various paintings and artists featured in the exhibit. It was a great idea except I couldn’t get them to work properly for the life of me. Sooo, after trying and fumbling with two different devices I gave up and just enjoyed the masterpieces through my own eyes and interpretations.

At the end of the tour Dan surprised me with a gift of 6 tiny color pencils from the museum gift shop – I think it’s one of the best presents I’ve ever received. 🙂 They’re almost too cute to use.

color pencils from the museum

Our walk from the museum to the restaurant was an entirely different story from the walk earlier in the afternoon. I held my umbrella as close to my head as possible and followed Dan’s feet through the wet sidewalks and puddle filled streets.

FullSizeRender (3)

By the time we got to the restaurant our clothes were dripping and we could do nothing but laugh about our state of severe sogginess. I think it’s a good thing that I didn’t look in a mirror, I can only imagine that my hair must have resembled something that belonged on the head of a clown and not anything like it did when I started the day.

The restaurant is located in a renovated firehouse and has some of the best beef brisket I’ve ever eaten. (In case you’re wondering, the person in the picture is a random stranger who was sitting at the bar)

Philly Restaraunt_06_27_2015

It’s across the street from the Eastern State Penitentiary Museum – which is now on my list of “must do adventures.”

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After dinner we managed to hail a cab to the train station, but not quite soon enough to avoid getting drenched again – proving once again that neither of us were going to melt in the rain.

In reality, it would have been tempting to stay home and plan our adventure for a sunny or at least dry day, but we would have missed out on an awesome day and time spent with a good friend.

Start with the bigger picture and worry about the details later

Recently I’ve been learning about composition in creating two dimensional art. It’s not just about how the objects relate to each other, it’s also about how the artist relates to the objects.

The first step is to decide which components of a setting are interesting and intriguing enough to be a part of the composition, then you have to think about how much space you have and how to go about making the most of it.

We’re given an entire canvas to fill so there’s no sense in leaving uninteresting blank spaces around the subject matter.

Once we know what we want to include and maybe more importantly why we want to include them it’s time to start putting things into position  – loosely defining the shapes, locations, and relationships between the objects within the composition.

It’s tempting (for me anyway) to concentrate on one part of a drawing in an attempt to perfect it’s shape and dimension without regard to the larger picture and how it relates to it’s neighbors.

The interesting thing about art is that even the spaces and shapes between the objects are a part of the story and give clues to the artist about the relationships between the objects.

One of my biggest obstacles and sticking points when it comes to drawing is overcoming the desire to draw what I think I should see vs what is really in front of me.

Today’s art class started on time and as usual the small group of students surrounded the subject matter with easels, paints, and pencils. My seat was at an angle which presented a challenge for me.

When I look at something that I know is circular in shape from a head-on perspective that’s how I want to draw it. It’s hard for me to draw the perfect circle as a squished hoop even though that’s how it really looks from my vantage point.

But after some guidance I figured out how to do it. And I began to grasp an understanding of why it’s important to start with the larger shapes and relationships and refine them without immediately jumping into the detail.

IMG_1353

Composing art is actually a lot like life. We often-times get bogged down in the details and worry too much about making one particular aspect of our life “perfect” before moving on.

When we take a step back and consider the entire picture and all that life has to offer, it becomes easier to envision the shape we want things to take and how the different aspects of our life fit together.

My drawing isn’t finished, but there’s a sense of direction and a feeling of progress.

The details are the finishing touches not the starting point.

I’m “Drawing the Line”

Life is full of ironies if one is paying attention.

Over Thanksgiving, I registered for a drawing class at the Princeton Arts Council. The description of the class emphasized expanding on basic drawing skills and learning how to compose a piece of art from concept to completion.

It sounded challenging and appropriate for my current skill and confidence level. As luck (or fate) would have it, the class was cancelled and reminiscent of 3 years ago, I was offered the opportunity to attend a more advanced class as an alternative. Unlike 3 years ago, I accepted the alternative option without hesitation.

When I received the email that the class had been canceled, I couldn’t help but think back to the first day of my drawing class three years ago and how hesitant and uncertain I was.

What I didn’t realize then, but I know now is that art is all about lines. To quote a friend of mine, “Line quality is a big element in art and it is elementary and needs consideration. Even if ignored, line quality should be a considered choice.

To be honest, my first drawing blew me away – I seriously had no idea that anything like this was hiding inside of me. It took me weeks to complete, but in the end I was amazed at what came out of my pencils.

sunflower_first drawing in over 20 years

What strikes me now, looking back at it is the lack of certainty in the lines. They’re technically correct and the shading is really quite nice, but the lines lack confidence and purpose.

Contrast the drawing of the sunflower with a recent doodle, a surrealistic or maybe fanciful tree:

tree of hope

The lines are strong and considered.

I debated about whether or not the drawing was finished. The black and white lines were mesmerizing, but it didn’t feel “done.”

The lines were ready to be embellished with color.

tree of hope

Ironically, the description of the class I will be starting on Tuesday includes this:

Color is not just a “pretty embellishment”, but has a profound significance and role in our visual perception and, subsequently, is a powerful tool in our art making. Understanding these functions of color is the focal point of this class.

The class is geared toward “students with experience in drawing and painting.”

It’s clear that I’ll be taking a class with students far more advanced than me, but on the other hand, I’ve learned a lot about “drawing the line” and my recent experiences tell me that it’s more than OK to let those “lines” take you to a new place.

The Art of Meditation through Ink

Several months ago I was at Michael’s looking for inexpensive writing journals for my sometimes daily stream of consciousness. I found a few, one of which was clearly oriented around sketching and painting rather than writing.

Sketch, draw, live, express- Sketch book cover

I wasn’t sure what I was going to do with it, but at $2.00 the price was right and I figured the inspiration would find it’s way to me when the time was right. The unlined pages of the journal intimidated me for months.

My only experience with drawing outside of a classroom setting was after I learned how to make handmade paper. The pieces of handmade paper turned into tiny canvases and the imperfections in the paper were the foundation of many beautiful abstract pieces.

I started using only black ink and sketching things that were familiar and felt comfortable  to draw. For whatever reason I drew trees, trees, and more trees.

tree drawing on handmade flax paper

I don’t know what prompted me, but I was inspired to add color to the drawings and the trees took on the colors of fall through the use of watercolor pencils.

tunnel into fall

Even the most “perfect” pieces of paper were full of wrinkles, creases, and uneven textures.  The veins and arteries that ran through each page were the foundation for the shapes that emerged from my pens.

abstract ink drawing on handmade paper

The drawings quickly became more about the process then the outcome. The world and my worries disappeared for a few hours each night while I put pen to paper. The colors, shapes, and possibilities mesmerized and comforted me. It was a sad day when I ran out of handmade paper. (one of these days I’m going to make more)

For a variety of reasons my creative self went into hiding after I completed my last ink drawing on handmade paper in March. Then one night in September an image came to my imagination so strongly I had no choice but to try and release it onto paper.

tulip ink drawing

I was so thrilled with how my flower turned out that I stopped drawing again. I know that makes no sense, but it’s what happens to me sometimes. When I create something beautiful it makes me wonder if it was just a fluke and I talk myself out of trying to create something new just in case it was.

The funny thing about my ink journal is that there are no dates and the entries are completed in anything but a chronological order. I’ve even given myself permission to do the unthinkable and use an abandoned entry as the beginning of a new piece.

a work in progress_0

The outcome was surprising.Bursts of Color and Life

The backside of each drawing is almost if not equally as beautiful as the front; an unexpected and delightful bonus.

Sunflowers in Winter

Sunflowers in Winter - The Reverse Side

The recurring theme throughout the journal is sunflowers. I’m not entirely certain if I continue to draw sunflowers because I know how, or because they were the subject of my first drawing, or because they are a symbol of happiness. Maybe it’s a combination of all three.

I don’t suppose it really matters.

The Gift of Life - Ink Drawing of a Sunflower in Bright Inks

My ink journal is not a place where I create masterpieces or finished works of art. It’s a place where I let my mind wander and rest at the same time. It’s where I express myself without words with my medium of choice – ink. It is how I meditate through art.

I can’t wait to see how my latest meditation piece turns out.

hearts and tears_3

A Lost Story

Prints by Erin Endicott

Technology and Art can intersect at some very unexpected corners of the world.  Earlier in the week I received a notification via the Newtown Patch of an Art Gallery opening featuring the work of a regional artist. The event was promoted as “[a] retrospective exhibit of mixed media works by Erin Endicott [that] will open with a wine and cheese reception from 3:00 to 5:00 p.m. at the Pennswood Art Gallery.”

Perfect! I’ve been struggling to find ideas to fulfill my weekly Artist’s Date, an activity that I committed to do once a week as a part of the experience of Walking in This World (Julia Cameron) that I’ve fallen shamefully short on. What could be better than the opportunity to attend the opening of an Art Gallery – and the description of the artist’s work sounded delightful and intriguing.

My normal paranoia about getting lost was magnified by the fact that I couldn’t find any concrete information about the gallery and whatever I could find linked me to a retirement community website. With my trusty GPS and a backup set of printed directions from Google I set out on my ‘date’ and hoped the event was for real.  My confusion grew as I drove past one row of apartments after another. I spotted a signs along the way for a variety of things including the Landscaping Department and a Community Center, but nothing for an Art Gallery. It seemed as though my date might be doomed.

Determined to give the outing my best shot I took a deep breath and walked toward the Community Center.  I figured it was worth a little embarrassment about getting lost if I could find someone inside who could provide directions.

I crossed through the doors into a beautifully furnished lobby full of activity and lots of grey hair.  I scanned the room for an information desk and much to my surprise what I saw was the sign for Pennswood Art Gallery and sure enough there was a roomful of art hanging on the walls.  I accepted a small cup of wine served with a silver ladle from a punch bowl and a couple of crackers topped with cheese.

I don’t have words to do the artist’s work justice.  She uses a unique blend of painting and fabric woven together and adorned with text, stitching, words, and beads to tell a story and depict the complexities of life and human emotion. 

I think it’s better described by a curator, Samantha Levin, during an interview with the artist:

“A unique breed of soft sculpture, Erin utilizes stitching and ink to “draw” on found objects – things that hold power because of their age and anthropomorphic wisdom. Erin’s Healing Sutras tell stories of pain remembered and solace found. They indicate hope and speak of feminine patience evidenced by the painstakingly small stitches that create flowing abstract shapes”  (curator Samantha Levin of Anagnorisis Fine Art, NYC.)

After enjoying the exhibit I stopped to look at some prints that were available for sale, among them the piece that was used to promote the show, A Lost Story. In addition to buying a print I learned that Pennswood Village is a retirement community (which would explain my Google results) and they have had an art gallery in the Community Center for twenty eight years and the exhibit today took place in a new and expanded location.  I had a lovely visit with the elegant woman who organizes the shows.

“How do you find the artists?” I asked.

“Well, we go online and look for artists with websites.  We follow a trail of leads and look at their galleries on the internet.  Then we pick the pieces we’d like to have on display and contact the artist to see if they are interested. It’s all done through email and it’s all about the internet,” she replied.

It’s interesting to note that I spent my morning reading and reflecting on week eleven of Walking in This World (Julia Cameron).  The portion of the chapter I finished before getting ready to leave for the open house raised a lot of questions around our society, our culture, and how we do – or maybe more to the point, do not nurture artists.  I think Julia would be pleased with this non-traditional center of support for the arts.